{"id":38,"date":"1950-01-06T00:00:55","date_gmt":"1950-01-06T05:00:55","guid":{"rendered":"http:\/\/radnorhistory.org\/collection\/articles\/ytmt\/?p=38"},"modified":"2016-06-26T17:17:00","modified_gmt":"2016-06-26T22:17:00","slug":"38","status":"publish","type":"post","link":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/?p=38","title":{"rendered":"Wayne Men&#8217;s Club Minstrels, part 2 &#8211; WCAU"},"content":{"rendered":"<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>A year after the great initial performance of the Minstrels of the Men\u2019s Club of Wayne, in April 1918, another performance was given, this time on April 24, and April 25, 1919. Again it was staged in the auditorium of Radnor High School. It was an elaborate affair in three parts, part one opening with an overture by the orchestra, followed by many musical numbers sung by the minstrel men. Part two consisted of several skits and part three of a \u201cFarcical Medley of Funny Business\u201d entitled \u201cGood Morning, Si!\u201d<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Ben James was interlocutor again, while \u201cBillie\u201d Cochran and \u201cWillie\u201d Shuster were bones and Arthur Standen and Charlie Clay were tambos. The song of the opening chorus was \u201cIn the Land of Yamo, Yamo,\u201d and the overture was \u201cMelody from the South.\u201d Among the soloists were Charles Clay, Arthur Standen, R. C. Jacobs, William B. Dowdell, William Shuster and W. P. Cochran. The latter made an especial hit with a number entitled \u201cPlant a Watermelon on My Grave.\u201d<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Skits in the second part of the show started off with one entitled \u201cBack from the Front-Lying\u201d in which the two characters were \u201cCaptain Lives\u201d as portrayed by Arthur Standen and \u201cPrivate Bacon\u201d as interpreted by Fred Radcliffe. \u201cThe Musical Mokes,\u201d John Rogan, Fred Ristine and Bert Ehart were heard in a \u201creview of current events.\u201d William Shuster and Charles Clay were the two actors in \u201cTaking Chances.\u201d \u201cAs Others See Us,\u201d a novelty in the art of impersonations, as done by Ben James, concluded part two.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Characters in \u201cGood, Morning, Si!\u201d, the \u201cMedley of Funny Business,\u201d which constituted part three were \u201cSi, a Grosser,\u201d W. P. Cochran; \u201cJoe, still grosser,\u201d J. A. Standen; \u201cTom and Jerry,\u201d Charles Clay and W. B. Shuster; \u201cHank, a Constable,\u201d F. P. Radcliffe; \u201cTramp, Bird of Passage\u201d, W. B. Dowdell; \u201cArtie Choke, Gentle and Neat\u201d, H. S. Norris; \u201cJim Spruce, Back from the Wicked City\u201d, William Fox; \u201cTillie Oddsox, Who Takes a Chance\u201d, T. G. Roberts and \u201cIma Boob\u201d, J. M. Rogan.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Printed programs of these early shows, still in the possession of Harry C. Creutzberg, and lent to the writer for this series of articles, are interesting not only for the names and for the program material, but for their advertisers as well. The Counties Gas and Electric Company has long since changed to the Philadelphia Electric Company; the Edgar Jones grocery and meat market is now the Fairlawn Food Market; Frank O\u2019Brien Hardware Store is the Wayne Hardware Store; H. C. Hadley\u2019s Drug Store has long since become Norman Wack\u2019s Pharmacy; the Hubbs Grocery and Meat Market has gone out of existence, the site of its former shop now occupied by the Firestone Store: La Dow\u2019s Drug Store, after passing through several ownerships, is now a Sun Ray Drug Store; Cox and Lynam\u2019s Electric Company has long been known as Lynam Electric Company.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>On the inside of the title page of the 1919 program, the Penn Publishing Company of Philadelphia, of which C. C. Shoemaker, president of the Men\u2019s Club, was president, ran a full length advertisement of \u201cThe Tin Soldiers\u201d, by Temple Bailey. Miss Bailey was for years a writer of a long line of best sellers published by that company. On the other hand, however, some of the advertisers\u2019 names are those still always appearing on local programs, such as the Wayne Title and Trust Company, the Delaware Market House, Wayne Plumbing and Heating Company, L. K. Burket and the Wayne Suburban.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>After the 1919 performances came those of 1920 &#8211; and then no more for seven long years &#8211; just why there was such a lapse in the highly successful performances of the Minstrel Show is as much of a mystery as their sudden revival in 1927. At any rate, in April of that year the Men\u2019s Club Minstrels played to capacity audiences on two different nights.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>By that time a well organized movement was under way to place an organ in the high school auditorium as a memorial to alumni of the school who had given their lives in the war over but a few short years before. With the endorsement of the Radnor Township School Board and of various civic organizations an Organ Fund Committee had been formed, with Mrs. Humbert B. Powell as chairman. Serving with her were Walter S. Mertz, Edgar L. Hunt, C. Walton Hale, Allyn S. Park, Philip W. Hunt and A. M. Ehart.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>The Minstrel Show men decided to devote the proceeds of the 1927 performances to this fund. Seats sold for $1.00 and $1.50 and the profits, though not large, formed the nucleus of a fund to which profits of later minstrel shows were added.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>So vivid is Harry Creutzburg\u2019s description of this 1927 performance that this writer feels it should be quoted almost in full. \u201cThe house lights dimmed as a splendid orchestra followed the baton of Ed Hunt through the melodious overture of \u201cThe Student Prince\u201d. At its conclusion the curtains parted and \u201cthe spots\u201d picked up George Borst, who, in a reminiscent mood, sang \u201cBring Back Those Minstrel Days\u201d. Down the aisle and into their places on the stage, as the curtain widened, came the gaily caparisoned minstrel company as they sang the refrain. High silk hatted, satin coated in red, green, blue and yellow, end men capering &#8211; bones a-rattling &#8211; the lid was off with a bang and the minstrels had come into their own again.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>\u201cThe well balanced chorus, trained to perfection, as Ed Hunt\u2019s choruses always are, gave a spirited rendition of \u201cMedley from the South\u201d, followed by the lingering beauty of \u201cLassie O\u2019 Mine\u201d. Other fine chorus numbers were \u201cHangin\u2019 Out de Clo\u2019es\u201d and \u201cThe Bells of St. Mary\u2019s\u201d.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>\u201cAs to the end men: Jules Prevost made his final bow as a minstrel with \u201cI\u2019ve Never Seen a Straight Banana\u201d: Ted Park sang \u201cSam, the Old Accordion Man\u201d &#8230; The redoubtable Doc Standen sang with gusto that pathetic ballad, \u201cThe Coat and the Pants Do All the Work, While the Vest Gets all the Gravy\u201d, while Bill Shuster convulsed all with his powerfully rendered \u201cCan You Tame Wild Women?\u201d . . . Ben James was his usual urbane and pulchritudinous self as interlocutor . . .<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>\u201cJimmy Smith, with the show for the first item, captivated all with his exquisite \u201cSerenade from \u201cThe Student Prince\u201d . . . and then George Orr\u2019s marvelously rich baritone took us \u201cSomewhere East of Suez\u201d in \u201cMandalay.\u201d<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>\u201cIn Part II, the curtain rose on several lively skits. Then followed a scene revealing an Arab tent in the desert. In nomad costumes a trio &#8211; Ashby Wallace, Jimmy Smith and George Orr &#8211; assisted by the concealed chorus &#8211; sang the rapturous and haunting melody, \u201cThe Desert Song\u2019.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>\u201cMore skits and then the show ended with the \u2018Drinking Song\u2019, from \u201cThe Student Prince.\u2019\u201d<\/p>\n<p>(to be continued)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A year after the great initial performance of the Minstrels of the Men\u2019s Club of Wayne, in April 1918, another performance was given, this time on April 24, and April 25, 1919. Again it was staged in the auditorium of Radnor High School. It was an elaborate affair in three parts, part one opening with&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[36],"class_list":["post-38","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-wayne-mens-club-minstrels"],"_links":{"self":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=38"}],"version-history":[{"count":1,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts\/38\/revisions"}],"predecessor-version":[{"id":1059,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts\/38\/revisions\/1059"}],"wp:attachment":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=38"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=38"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}