{"id":42,"date":"1950-02-10T00:00:54","date_gmt":"1950-02-10T05:00:54","guid":{"rendered":"http:\/\/radnorhistory.org\/collection\/articles\/ytmt\/?p=42"},"modified":"2016-06-26T17:20:13","modified_gmt":"2016-06-26T22:20:13","slug":"42","status":"publish","type":"post","link":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/?p=42","title":{"rendered":"Wayne Men&#8217;s Club Minstrels, part 6 \u2013 Anthony Wayne Theatre"},"content":{"rendered":"<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Beginning in 1933, the Men\u2019s Club Minstrels, and later the Merriemen gradually began to include outside talent in their shows rather than to make them exclusively the product of their own numbers. As stated in last week\u2019s column, the Wayne Junior Drum and Bugle Corps participated in the performance given at the Anthony Wayne Theatre that year, while in January, 1934, James and Jean Blackstone were featured in a Winter Concert put on by the Merriemen at the Saturday Club.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Later in that same season Betty Ott, then a student in High School, was the partner of the interlocutor Joe Forrest in \u201cThe Easter Parade\u201d. In 1935 the Delaware County L. W. D. Orchestra contributed several lively musical numbers to the program. A chorus from the Bala Cynwyd Junior Woman\u2019s Club was one of the hits of the evening in 1936.  That same year saw the introduction of an instrumental sextette from the High School.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>On the 1937 program there was a tap dancing number by Betty Brooke, while a dancing chorus from Mrs. Renee P. HIll\u2019s class put on a number entitled \u201cThe New Orleans Strut\u201d. Peter Marcantonio played a cornet solo and Francis and Joey Lennon presented guitar and banjo novelties. And Alice Hart\u2019s singing was the big hit of the after-piece of that evening\u2019s show.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>In 1938 the \u201cSauer Kraut Band\u201d, a small group of German musicians, played \u201cWienerschnitzel\u201d. It was in February of either \u201837 or \u201838 that an \u201cAmateur Night\u201d for \u201cany one who could do anything\u201d was staged in the High School by the Merriemen. The public was invited and during the fifteen or more acts and stunts merriment and entertainment was about equally divided between those behind the footlights and those in front of them!<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>The \u201837 and \u201838 Merriemen shows were the last ones to be put on by that group. Both were for the benefit of the Radnor High School Scholarship Fund and both were pretentious affairs with full programs of music, dancing and acting. Ben James, old time favorite, was interlocutor of the former, while Charlie Smith, of the high school was the surprise hit in that capacity in the latter. Charles Mintzer was the musical director of both shows, while Paul Teel and Walter Howson were at the piano.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Many of the high school faculty, students and maintenance force assisted back stage in the 1937 show, which was a particularly elaborate one, with the scenario of Part II written by R. Rhodes Stabley, of the English department of the school. This was of the 1865 period with the scene laid on \u201ca southern plantation, untouched by the War . . . a tried and true gentleman of the Old South . . . his daughter . . . a Yankee captain, wounded, brought in by the slaves\u201d. Sentimental songs, many of them old timers like \u201cDarling Nellie Gray\u201d, were sung by the chorus and others, among them Alice Hart with the appealing \u201cLover, Come Back to Me\u201d. With Hal Reese and the chorus she also sang \u201cYour Land and My Land\u201d, from \u201cMy Maryland\u201d. Jules Prevost as \u201cJemima\u201d, Ted Park as \u201cSam\u201d and Bub Park as \u201cRainbow\u201d united in a rendition of \u201cAlabama Barbecue\u201d. \u201cA Medley of HIts From Former Shows\u201d as arranged by Paul Teel and sung by \u201cTwo Parks, Art Stilwell and Two Brookes\u201d was one of the most amusing numbers of the first part of the show.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>The \u201838 show opened with a chorus number appropriately entitled \u201cWe\u2019re Singing Again\u201d, the words written by Jules Prevost. Other chorus songs were \u201cA Little Close Harmony\u201d \u201cHarrigan\u201d, \u201cSong of the Jolly Roger\u201d, \u201cJust A-Wearying For You\u201d, \u201cWho\u2019s That Tapping At My Door\u201d. But the real hit of the show was a take-off on \u201cShow White and the Seven Dwarfs\u201d entitled \u201cPitch Black and the Seven Giants!\u201d Bob Morrison was \u201cPitch Black\u201d who, sweetly sleeping, was carried on the stage by her \u201cseven giants\u201d. Once there \u201cshe\u201d awoke and brought down the house!<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>At this time Harry Creutzburg was president of the Merriemen; William Holloway was treasurer and Albert Ware, secretary. The executive committee was composed of J. Arthur Standen, L. W. Garratt, Benjamin F. James, Carl Wetzel, Ralph Aman and F. Ashby Wallace. These men and many others had worked hard with the Minstrel Shows, most of them from its very beginning. Many of the older group would have been glad to continue the brilliant successes of the last shows. For some, however, this had been enough, and it was not easy to recruit new members.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Ashy Wallace has told the writer of one encouraging renewal of interest just before the War, when some thirty voices were training under Charlie Mintzer and Paul Teel. These promising recruits soon dwindled in number to twenty, then to twelve . . . And with that they disbanded . . . the War would have put a temporary stop to the activities of the group, anyway. Hal Reese, who served in both World War I and World War II, was killed in action . . . many of the young voices recruited for the last few shows were stilled forever.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Before concluding this series on the Men\u2019s Club Minstrels and The Merriemen, the writer has talked to four of the \u201cold-timers\u201d Al Ware, Grif Roberts, Harry Creutzburg and Ashby Wallace. From them she has obtained some of the material for this last piece, for they love to talk of the fun &#8211; and the work &#8211; of those days that are over, over unless indeed there can be a renewal of interest sufficient to start again, and to carry on. The older men would be glad to give their support to such an undertaking, providing there is a sufficient group of the younger element to do their share, too. Few Wayne organizations have given their community as much pleasure and entertainment as the Merriemen have, while at the same time they were enjoying the pleasure of that companionship that comes from working and playing together.<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>But the Wayne Minstrel Show that started all Minstrel Shows in the community was given in the old Opera House before the Men\u2019s Club Minstrels and the Merriemen were ever thought of, according to Grif Roberts. Just how long before he doesn\u2019s quite know. But according to him it was the original minstrel show! Jay Canizares and George Allen were the end men. Among those who sang in the show and took part in the \u201cafter-piece\u201d were Gene Bonniwell, Matthew Randall, Bill Beatty, Sr., Sam Jaquette, Charlie Tatnall, Bob Lynch, Frank Muller, Walt Whetstone, Sr., Fred Ristine, John Rogan, Ashby Wallace and Grif Roberts. (There were probably others, but this was as far as Mr. Roberts\u2019 memory took him at the first try!)<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>Part I consisted of the usual minstrel show of songs and jokes as passed around in \u201cthe circle\u201d. The \u201cafter-piece\u201d was a take-off on a courtroom scene with Eugene Bonniwell, a judge in real life, acting as \u201cthe Judge\u201d in the play. Grif Roberts as the \u201cdizzy blond\u201d was suing Johnny Rogan for breach of promise. Doc Standen was \u201cthe new woman\u201d, so commonly satirized in that day. The jury, much confounded by the evidence, got into an argument, which was highlighted by the talk of three of the members. One stuttered, one lisped, and one spoke with a German accent! In the end, \u201cthe dizzy blond\u201d, Grif Roberts, fell into the arms of the man she was suing, John Rogan! Both took a tumble, as the writer understands it!<\/p>\n<p><strong><span style=\"white-space: pre\" class=\"Apple-tab-span\">\t<\/span><\/strong>This was the original Wayne Minstrel Show!<\/p>\n<p>(Conclusion)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beginning in 1933, the Men\u2019s Club Minstrels, and later the Merriemen gradually began to include outside talent in their shows rather than to make them exclusively the product of their own numbers. As stated in last week\u2019s column, the Wayne Junior Drum and Bugle Corps participated in the performance given at the Anthony Wayne Theatre&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[36],"class_list":["post-42","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-wayne-mens-club-minstrels"],"_links":{"self":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42"}],"version-history":[{"count":1,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts\/42\/revisions"}],"predecessor-version":[{"id":1094,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=\/wp\/v2\/posts\/42\/revisions\/1094"}],"wp:attachment":[{"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=42"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radnorhistory.org\/archive\/articles\/ytmt\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}